This condition is an absolute pretext for any landscape painting to be seen as contemporary. A landscape painting can only be contemporary if it has been produced in the contemporary era, which is roughly situated from 1960/1970 up to today. The first part of this answer is of course the most straightforward one. As a result, let’s implement them with contemporary landscape painting.Ī Landscape painting is contemporary when: (i) it is made between 1960/1970 up to today (ii) it is the artist’s intention to take on the genre in a new and contemporary manner (iii) the esthetics are time-bound to painting today (iv) and the landscape becomes relevant in a contemporary context. At first this may seem to be a straightforward question, but as we have illustrated in our more extensive article Explained: What Makes an Artwork Contemporary?, there are four very specific conditions that make an artwork contemporary. When it comes to the question of what makes a landscape contemporary, I like to refer to the question of what makes any artwork contemporary. What Makes a Landscape Painting Contemporary?
In this article, we will discuss how the artist takes on this nostalgic genre in a contemporary manner with a retrospective view on landscape painting, followed by an extensive and complete anthology of the best landscape painters today.Ī major resource for this article―and the best available resource anywhere when it comes to contemporary landscape painting―is the reference publication Landscape Painting Now: From Pop Abstraction to New Romanticismby Todd Bradway and Barry Schwabsky, published by D.A.P. The artist does not strive to obtain a pure naturalist depiction, rather to develop a contemporary perspective on the genre. But first, exactly what is contemporary landscape painting?Ĭontemporary Landscape Painting is a genre in contemporary painting in which outdoor environments or natural scenery are depicted―think of mountains, fields, forests, rivers, or seas. However, when analyzing our recent art history, the opposite seems to be true. Our collective memory seems to categorize landscape painting as something of the past, a nostalgic genre, an obsolete practice, which has no place in a day and age in which art is dominated by abstraction, installations, Conceptual Art or Minimal Art. But landscape painting never ended, as for instance the cubists and expressionists continued to use the landscape as a genre in their journey towards abstraction.
When we hear of landscape painting, one must think quit immediately of the earliest landscapes of Joachim Patenir, the more romantic landscapes of John Constable, or Claude Monet’s impressionist take on the genre.
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